Having a LUT built right into the monitor is even more essential now than ever before.
It’s a great monitor for my crew to use as a focus pulling monitor while we are on the MoVI or even a director’s viewfinder when we go wireless. I’m looking forward to seeing updates in the future for Canon RAW for the C500. With certain applications at Hurlbut Visuals, we like to use the Shogun with the C300, it allows us to stay in a streamlined ProRes workflow when needed. I have listed a few that I have used on set and what I am currently using, where all of the LUTs that I have created will work.Ītomos Shogun 4K HDMI/12G-SDI Recorder and 7” MonitorĪtomos has begun to step up their game and I really like what I see out of their Shogun Monitor/Recorder. Atomos just updated the Shogun to support larger file recording with the Sony FS7 and FS700, they are working on more updates currently. I say devices because there are many different places you can load a LUT into now. Then hit “Apply” in the bottom right hand corner of this window. You can drop it in or create a folder to keep your LUTs organized with a specific name to it. Go to “Open LUT Folder.” (This will automatically open the folder where LUTs are saved, both on a MAC or PC.)Ĭopy your. When you open Resolve up and go into your Color management, you will again follow the steps outlined in the “A few things to consider before getting into Resolve” section of this post.įirst, select the settings button in the bottom left-hand corner of Resolve. CUBE file that I have created and put it into your Library of where Resolve stores the. If you want to use the LUTs I have created for other cameras in post, you can easily do so in Resolve. Finding your visual rhythm is so essential with these lighting and exposure tools. It is all color science, contrast and personal preference. Many people have said that the new RED LUTs that I created are looking amazing on the BMCC and the BMPC.
Each LUT has to be linked to your specific camera’s sensor to be the most accurate. I designed a total of sixteen LUTs on Need for Speed, four LUTs for Fathers and Daughters and currently fourteen LUTs on my current project. My workflow on set is to load all the 3D LUTs that I have created for a feature or TV pilot into my Flanders CM250 OLED lighting monitor.
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